نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانش آموخته دکتری گروه عربی دانشگاه رازی
2 هیئت علمی رازی
3 استادیار زبان و ادبیات فارسی، بخش زبان و ادبیات فارسی، دانشگاه آزاد اسلامی، واحد اسلام آباد غرب، کرمانشاه، ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
One of the non-narrative proportions that is formed within a single or intercultural cultural system is multitextuality, which is the core of Gerard Gent's theory. In this regard, the relationship between the narrative of the plays "Majlis-e-Qurban-e-Sanmar" by Bayzai and "Jaza-e-Minali" by Majid al-Khatib as a narrative with the story of "Seminar and Making Khornq" mentioned in Nezami's "Seven Bodies" as " The narrative or the text is evident. This discourse with the method of comparative-analytical comparison, in search of the function of qualitative elements rather than narrative as "para-array elements" and the relationships between them in the play of the oval and the play of al-Khatib as textless and comparing them with the military poem in the seven bodies as The preface is based on Gent's theory of narrative.In both Persian and Arabic plays, compared to the military poem, the narrative traditions of both playwrights are found in order to produce and fertilize the narrative. The use of para-array elements in the oval play corresponds to the construction of collective identity in Iranian society and in the play al-Khatib with the social issues of the day and suffering of Iraqi society. but; The power of fertility and narrative reproduction in order to produce a lasting narrative is more influential in the work of Bazai, which is more mixed with historical analysis and the creation of psychological scenes, than in the work of al-Khatib.
کلیدواژه‌ها [English]
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