References [In Persian]
Atwood, M. (2009). The robber bride. (Translation by Sh. Asayesh). 4th ed. Tehran: Qoqnoos.
De Beauvoir, S. (2001). The second sex. (Translation by Gh. Sanavi). 1st book, 2nd ed, Tehran: Toos.
Farrokhzad, P. (2002). Catalogue of component iranian women from past to the future, Tehran: Ghatreh.
Ghazami, A. M. (2007). Woman and language, (Translation by H. Oudeh Tabar). Tehran: Gameh-No.
Green, K., Lebihan, J. (2004). Critical theory and practice: A coursebook, (Translation by H. Payandeh & Et al.). Tehran: Rooznegar.
Haghi, S., Ghorbansabagh, M. R., && Taebi Naghandari, Z. (2018). Submission and bodily power of woman in the handmaid’s tale by Margaret Atwood. Journal of Language and Translation Studies (LTS). 51, (3), 103- 126
Hosseini, M., && Salarkia, M. (2014). The study of effect of women’s invests on the role of domination in dream of tibat novel due to the practice theory of Pierre Bourdieu. Journal of Research on Fictional Literature. 1, (4), 17-40.
Humm, M., && Gamil, S. (2003). The dictionary of feminist theory. (Translation by N. Ahmadi, & Et al). 1st ed, Tehran: Touseeh.
Malmir, T.,& & Zahedi, Ch. (2014). Structure of feminine narration in the novel “my bird” by Fariba Vafi, Journal of literary Text Research, 17, (58), 47-68.
Marandi, S. && M., Habibzadeh, H. (2017). Fashioning identity and identity fashioned in Margaret Atwood’s lady oracle, Journal of Research in Contemporary World Literature. 22nd (2).
Michel, A. (1993). The feminism. (Translation by H. Zanjanizadeh). Mashhad: Nika.
Moshirzadeh, H. (2009). From movement to social theory: two centuries of feminism history. 4th ed, Tehran: Shirazeh.
Qorbani Jouybari, K. (2015). Women's identity in Fariba Wafi' s collection of short stories even when we waugh in the light of Fairclough' s critical discourse analysis. Journal of Persian Language and Literature, 23, (79), 219-245.
Roodgar, N. (2009). “Feminism: history, theories, tendencies, criticism”. Tehran: Women’s Research and Studies Center.
Sarsse, M. R. (2006). The history of feminism, (Translation by A. W. Ahmadi). 1st . ed. Tehran: Enlightenment and Women's Studies.
Vafi, F. (2005). Dream of tibet. Tehran: Markaz.
References [in English]
Atwood, M. (2011). The Robber Bride. 1st trade ed. in the U.S.A. New York: Nan A. Talese/Doubleday.
Deery, J. (1997). Science for Feminists: Margaret Atwood’s Body of Knowledge. Twentieth Century Literature, 43(4), 470–486. https://doi.org/10.2307/441746
Jones, A. (2010), The Feminism and Visual Culture Reader.
London ; New york : Routledge
Genette, G. (1980). Narrative Discourse. An essay in method. trans. Jane E. Lewin, Cornell University Press, Ithaca New York.
Perrakis, P. S. (1997). Atwood's" The Robber Bride": The Vampire as Intersubjective Catalyst. Mosaic: A Journal for the Interdisciplinary Study of Literature, 151-168.
Potts, D. L. (1999). "The Old Maps Are Dissolving":
Intertextuality and Identity in Atwood's The Robber Bride. Tulsa Studies in Women's Literature, 18(2), 281-298.
Lakoff, R., & Lakoff, R. T. (2004). Language and Woman's
Place: Text and Commentaries (Vol. 3). Oxford University Press, USA.
Messer-Davidow, E. (2002). Disciplining Feminism: From Social Activism to Academic Discourse. Durham, NC: Duke University Press.
Sage, L., & Smith, L. (2009), “Feminist criticism”. A
Dictionary of Modern critical terms. Ed. By Roger Fowler. London: Routledge.
Sands, R., & Nuccio, K. (1992). "Postmodern Feminist Theory and Social Work: A Deconstruction". Social Work. 40(6): 841-843. doi:10.1093/sw/40.6.831.
Tolan, F. (2007). “Sucking the blood out of second wave feminism:
Postfeminist vampirism in Margaret Atwood's The Robber Bride.” Gothic studies, 9(2), 45-57.
Tong, R., & Botts, T. F. (2018). Feminist thought:
A more comprehensive introduction. Routledge.
Wyatt, J. (1998). I Want To Be You: Envy, the Lacanian Double,
And Feminist Community in Margaret Atwood's The Robber Bride. Tulsa Studies in Women's Literature, 17(1)